The 14th of January, 1950. Asún takes to the stage, where she performs folk songs with more cheek than talent, unaware that she will meet someone that night who will change her life: Santos is the Ateneo’s librarian and, through his cultural and university connections, a frequent collaborator with the anti-Francoist resistance. A relationship will develop between them that is as superficially conventional as it is unique under the surface. While he offers her the possibility of freedom and revolution through literature, she offers him the cover of an engagement that will turn out to be essential when, in 1954, he becomes just one of many homosexuals persecuted under the new vagrancy act. The moving nature of the protagonists’ lives and the in-depth historical research recreate an era that has never had its story told in the detail and authenticity it deserves…